刘馨浓则在翻译初期因塔可夫斯基对女性的态度产生过微妙的距离感。塔可夫斯基在日记中说,男性的天职是创造,女性的天职是为爱牺牲,而他与继女之间屡屡爆发的尖锐矛盾,更让刘馨浓一度感到紧张,“起初会很自然地把自己代入文中被提及的女性,有种自己被贬低、被攻击的感觉,对日记里的谩骂,有一种想要回避的本能。”刘馨浓说,读到第三遍、第四遍时,她开始站在塔可夫斯基的视角看待那些冲突,慢慢体会到他对身边人的苛责背后隐藏的情绪,感受到愤怒背后流露出的脆弱和无助,“他的尖锐,本质上是对创作的极致要求,是对自我的绝不妥协。”
Любовь Ширижик (Старший редактор отдела «Силовые структуры»)。关于这个话题,im钱包官方下载提供了深入分析
Bateman, Harbour, and Cardellini are formidable, though. Bateman's typical dry humor is perfect for Clark's understated scumminess, and Harbour is wonderfully warm. I wish Cardellini got more to do (which she might in the last three episodes). For now, Carol toggles between Clark's view of her as his fantasy woman and Floyd's view of her as a sexless nag. Somehow, Cardellini finds a middle ground that helps Carol feel more her own person, but in the scheme of the whole love triangle, Carol remains the most unknown of the points.。关于这个话题,旺商聊官方下载提供了深入分析
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